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August 21
Hardback • Paperback
Faded Coat of Blue Faded Coat of Blue
by Owen Parry


Reviewed by Jeanne M. Jacobson


I would not put stock in dreams, for it is unchristian to make too much of such things. Our guard comes down in the dark, and it is a time of temptation and illusion. Still, I will tell you of the dream I had that night.
I might have sworn I woke, were I a man given to swearing. And there, all aglow at the foot of my bed, stood Anthony Fowler. His face had the chill of Little Mac's, though a thousand times fairer it was, and he looked at me, with eyes that encompassed all the sorrows of the poor. It was the face of a saint, and beautiful, with its blond radiance of hair. Then I noticed the blood pouring from his chest. Oceans and seas of it, a deluge upon the floor.
...I will have nothing to do with apparitions, or omens, or spirits, or the like, for they are empty things, and heathen, and lead us where we should not go. But I wonder to this day if I did not see him there, in his murdered innocence, standing before me. Perhaps the dead need settling before they sleep. Now you will say, "That is silly," and I will agree with you. By daylight I will agree. But what if the poor departed must do up their accounts before the Good Lord takes them to his bosom? All sums will be credited, and all wages paid, see. It is a law of every counting house. And perhaps Anthony Fowler knew the value of a good clerk.

This narrator's voice is a true voice. He speaks eagerly of all that he sees and thinks, with the cadence and idioms of his birthplace in Wales, with some of the narrowness of prejudices of his time, and all the strength of his beliefs. He does not speak to us across time, for he does not know the future; he places us in his times. "Now well you may laugh at Abel Jones, for you have seen in me fool enough. But I could not see the justice in keeping such a one as that poor sweeper in chains or subject to the lash, or in rending him from the bosom of his family. The Good Lord knows this is a hard world, and I do not see the virtue in making it harder for any of His creatures." We are this narrator's companions, for, in the midst of the teeming chaos of the United States capital in 1861, he has few friends and no confidants.
Captain Abel Jones, once Sergeant Jones of the British forces in India, is a clerk in the Union Army. Wounded at the disastrous First Battle of Bull Run, he has remained to serve his beloved new country as an accountant. Perhaps for his honesty and loyalty, perhaps for other reasons, General George McClellan--"Little Mac"--chooses him to conduct a secret investigation when the body of Captain Anthony Fowler is found at the edge of a Union encampment. Young, wealthy, pure, and noble-spirited, Fowler was known and loved by all who hated slavery, and was the special darling of women, who thrilled to his speeches and to his pledge: "never to marry until the Negro stands free and tall." Yet, it seems, he was shot while carousing in the darkness with companions who ceased their drunken singing and abandoned his body.
Owen Parry--a Welshman himself--out of his knowledge of history and humanity makes Abel and the times and places of his life come alive for us. And reminds us of what we know in our hearts: the happy truth that many vicious prejudices are largely gone from our good land, and the other truth that kinship with others is not yet all-encompassing, a fact apparent from the very first in his dedication "to the Welsh, Scots, and Irish who built America while the English weren't looking." But the Welsh have music in their hearts and their voices, and when Abel Jones speaks to us, there is beauty.
This is an extraordinary novel, peopled with imagined characters so vivid they become real and with historical figures drawn so deftly we see them clearly--dapper, ambitious George McClellan, strutting in the early days of his command of the Army of the Potomac; glimpses of old Winfield Scott, yielding up that command; detective Allen Pinkerton, gatherer of information, "willing to sell himself to everybody in sight like a scarlet woman;" Lincoln himself, the huge, sad man who will do whatever he must to save the Union, and endure, as he must, the general who refers to him as "the baboon in the White House." "Poor George McClellan, he's lying abed, raging in a fever. ...The general gets confused even when he's not feverish. He forgets which one of us is President. ...But I need him, Jones. The country needs him. The soldiers look up to him, not to me. ...If Little Mac can win this war, I'll swallow all the pride I can fit down my throat and sing his praises."
Owen Parry permits us opportunities to be proud of our foreknowledge of events. "Mr. Lincoln had a famous weakness for the blandishments of players. He said they made him laugh. Yet do not judge too harshly. No man is perfect, and may the Good Lord save the rest of us from the shameless temptations of the stage and the wickedness of actors." Far more frequently, he surprises and shocks us. Anthony Fowler's embittered mother and his dashing friends conceal dark secrets beneath a facade of elegance, righteousness, and superiority. Fowler himself, just before his death, was engaged in an unthinkable enterprise, and we are left to wonder: if that man had existed, if that opportunity were possible, if he had done what he intended to do, could such a man and such a deed have changed history?
The American Civil War was tragedy and triumph, and is a never-ending source of historical writing, of story, and of song. The songs of those times are sentimental, and some still bring a tear. "We shall meet, butwe shall miss him, there will be one vacant chair; we will linger to caress him, while we breathe our evening prayer. When a year ago we gathered, joy was in his mild blue eye, but a golden cord is severed and our hopes in ruins lie."
The last page of Faded Coat of Blue brings this welcome news: "The adventures of Abel Jones will continue in The Vacant Chair."


 


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