1990s Mystery Detective TV Shows
The 90s: Is the Truth Really Out There?
So far, three of the finest crime series of all time have been the
linchpins of the Nineties: Law & Order (1990-), NYPD Blue (1993-), Homicide: Life on the Streets
(1993-). All three are tough, hard-hitting
cop shows and if their success paints any clear trend for the future, it
might be that writers and producers should start thinking about
something other than the police procedural in planning the Next Big
Thing. Been there, done that.
Earlier in the decade, fleeting cult hit Twin Peaks (1990-1991)-- once you cut through the
uncomfortable feeling that even creator David Lynch didn't have a clue
what was going on--was essentially about FBI agent Dale Cooper, who was
searching for the murderer of a teenage girl and a "damned fine cup of
coffee," not necessarily in that order. Life in Rome, Wisconsin, never
got quite so strange as it did in Twin Peaks, but it was still, as
depicted in Picket Fences (1992-1995), far from commonplace. And less
realistic every year. In the end, both shows collapsed under the weight
of their own desperate weirdness.
A lot of programs in the Nineties came and went quickly, although
one, The Commish (1991-1995),
enjoyed a decent enough run without ever seeming to get very much
attention. Nowhere Man (1995-1996)
was a brief cult hit, combining The Fugitive with a touch of The
Prisoner, but only for a single season. The Client (1995-1996) failed to bring that Grisham magic
touch to the small screen and American Gothic (1995-1996) proved just a bit too noir for the
mass audience.
Two new shows, Millennium (1996-) and The Profiler (1996-), are built around the concept of an
empath who can get inside the criminal mind and help lawmen track down
the bad guys; one or both may have been successful enough to survive for
a second go-around. Indeed, such shows may be an early warning signal
that the next trend in TV mysteries will be tales about the
investigation of paranormal events and unexplained phenomena. Consider
the success of The X-Files (1993-)--
which is, after all, about two FBI agents. Or even Alien Nation
(1989-1990), a cop buddy show in which one
of the lawmen just happened to be a bald, spotted alien with a thirst
for sour milk.
In the season just past, we unfortunately saw the last of High
Incident (1996-1997), an often quite good cop show that
spotlighted uniformed officers on the street rather than cynical
plainclothes detectives, which was cancelled at season's end.
Another notable casualty was the dark and challenging EZ Streets
(1996-1997), which quickly attracted an deservedly avid
following, but not one large enough to allow it to survive. And
Murder One (1995-1997) showed that the public-- or network
executives-- didn't have the attention span for a single storyline
spanning an entire season, no matter how well done. It hastened
its own demise by replacing interesting and offbeat lead actor
Daniel Benzali with another cookie cutter TV attorney for season
two.
Among the survivors, Diagnosis Murder (1993- ) is the longest
running. It stars Dick Van Dyke as Dr. Mark Sloan, who is
basically Jessica Fletcher with a stethoscope. New York
Undercover (1994- ) has built an audience for its gritty NY
crime-busting and is noteworthy for spotlighting black and
Hispanic characters in the lead roles. And Nash Bridges (1996- )
is Don Johnson trying to recapture that old Miami Vice magic,
apparently coming close enough to warrant another season.
Happily, mid-season replacement The Practice (1997- ), a lawyer
show with lots of promise, made the ABC cut and will return in
the fall.
So where do we go from here? The answer to that question
remains...a mystery.